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<title>Information Resources on Language &amp; Cultural Studies</title>
<link>http://dr.lib.sjp.ac.lk/handle/123456789/1111</link>
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<dc:date>2026-01-07T06:10:56Z</dc:date>
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<title>A Study on the Socio - Cultural Background of the Kolam Theatre</title>
<link>http://dr.lib.sjp.ac.lk/handle/123456789/3565</link>
<description>A Study on the Socio - Cultural Background of the Kolam Theatre
Vitharana, W.S.
The aim of this study is to inquire into the significance of the socio-cultural background of the&#13;
Kolarn theatre. Kolarn is a form of folk drama tradition created by the Sinhalese folk artists. The&#13;
Kolarn theatre has been created for the entertainment of the village folk. Themes for Kolarn&#13;
have also been collected from the society. Sri Lanka was under colonial rule for nearly three&#13;
and a half centuries beginning from the 16th century. During this period, the rural folk in Sri&#13;
Lanka suffered many injustices on account of the wanton behavior of those in high positions in&#13;
the administration. Since they were unable to openly protest or rise against the unjust rule, they&#13;
had to look for other means to express their anger and disapproval of the same. It is under&#13;
such circumstances that the Kolarn theatre has come into being. Moreover, they have also&#13;
made good use of the experiences they gather from the society. In this way, the KGlam theatre&#13;
which serves as a mirror reflecting interesting aspects of the social life of the society at large&#13;
has assumed the form of a folk art. Organizing a Kolam performance is a community affair to&#13;
which all villagers have to contribute their share. Kolam theatre in some areas of Sri Lanka has&#13;
connection with the Gammadu ritual and the Pattini cult. Accordingly, it is clear that the KGlam&#13;
theatre has been. in existence as a socio-cultural festival in connection with the religious&#13;
aspects. The reason for selecting Kolam theatre for this study among the other form of Sri&#13;
Lankan folk play such as Sokari and Nadagam is that it is much closer the rural community&#13;
than the other theatre, as an art form performed for entertaining the populace as well as&#13;
propitiating certain divinities. In this study, practical observations and interviews are used as the&#13;
main tools of data collection. In addition literary sources are also used.
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<dc:date>2015-06-01T00:00:00Z</dc:date>
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<item rdf:about="http://dr.lib.sjp.ac.lk/handle/123456789/3564">
<title>සිංහල ජන නාටක සහ නැගෙනහිර ඉන්දියානු ජන නාටකවල රංග භුමි භාවිතය</title>
<link>http://dr.lib.sjp.ac.lk/handle/123456789/3564</link>
<description>සිංහල ජන නාටක සහ නැගෙනහිර ඉන්දියානු ජන නාටකවල රංග භුමි භාවිතය
Vitharana, W.S.
Pdf is Attached.
</description>
<dc:date>2015-03-01T00:00:00Z</dc:date>
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<title>Yudda Acharadharma (Ethics of War)</title>
<link>http://dr.lib.sjp.ac.lk/handle/123456789/1344</link>
<description>Yudda Acharadharma (Ethics of War)
S. C. Ranasinghe
</description>
<dc:date>2013-10-31T10:13:03Z</dc:date>
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<title>Textual Anomalies of the Kautilya's Artha÷àstra</title>
<link>http://dr.lib.sjp.ac.lk/handle/123456789/1119</link>
<description>Textual Anomalies of the Kautilya's Artha÷àstra
Rev. Chandima, Gangodawila
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<dc:date>2013-07-05T04:56:19Z</dc:date>
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