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Political killings in the contemporary world: Sizwe Bansi is Dead through biopolitical lenses

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dc.contributor.author Jayathilake, Chitra
dc.date.accessioned 2019-12-20T09:57:39Z
dc.date.available 2019-12-20T09:57:39Z
dc.date.issued 2018-11-02
dc.identifier.citation Jayathilake, Cogent Arts & Humanities (2018), 5: 1537080 en_US
dc.identifier.uri http://dr.lib.sjp.ac.lk/handle/123456789/8593
dc.description.abstract This essay offers a reading of South African Anglophone play, Sizwe Bansi is Dead, through biopolitical lenses, with a view to shedding light on dis-embodied political killings prompted by racism in the contemporary world, and to interrogating the means by which these murders are recurrently restructured and justified. Although the play is under the spotlight of scholarly attention, it is scarcely read through biopolitical lenses, especially through Frantz Fanon, Michel Foucault, Ann Laura Stoler and Achille Mbembe’s perspectives related to racism and political death, and by alluding to its significance for the contemporary society. This is where this article departs from the existing scholarship. en_US
dc.language.iso en en_US
dc.subject drama; Fugard; Post-colonialism; South Africa; biopolitics en_US
dc.title Political killings in the contemporary world: Sizwe Bansi is Dead through biopolitical lenses en_US
dc.type Article en_US
dc.identifier.doi 10.1080/23311983.2018.1537080 en_US


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